Description
Mixing and mastering features
Pro-Q 4 provides top-tier features for engineers, including linear phase, zero latency, and Natural Phase modes, dynamic and spectral EQ, per-band mid/side processing, Dolby Atmos 9.1.6 support, intelligent solo, Auto Gain, and a customizable spectrum analyzer.
Effortlessly sculpt your sound
FabFilter Pro-Q 4 streamlines sound shaping with its interactive EQ display, allowing you to add, edit, or sketch bands effortlessly. Features like Spectrum Grab, Full Screen mode, and EQ Match enhance workflow efficiency for fast, precise results.
Pro-Q 4 instances in one interface
Pro-Q 4’s Instance List lets you control all plug-in instances from one interface, with filtering, pinning, and zooming options, simplifying initial EQ setup and saving time in mix sessions.
EQ Sketch and usability
Pro-Q 4’s EQ Sketch simplifies the process of setting up initial EQ settings by allowing you to draw an entire curve in a single gesture. This makes it easy to add filters like low cuts, bell filters, and high shelves, creating a general starting point quickly and efficiently.
- Highest possible sound quality
- Up to 24 EQ bands
- Universal filter slope support for all filter types, up to 96 dB/oct
- Auto Gain and Gain Scale
- Optional piano roll display to quantize EQ frequencies to musical notes
- Different display ranges: 3 dB and 6 dB ranges for mastering, 12 dB and 30 dB for mixing
- Intelligent solo mode makes it easy to find problem frequencies and hear the effect of a band
- Phase Invert option to change polarity
- Large output level meter with peak level readout
- Operates in zero latency mode, linear phase mode with adjustable latency or the unique Natural Phase mode
- Different interface sizes and additional Full Screen mode
- Extreme CPU optimization: Pro-Q 3 uses very little CPU and memory, so you can use hundreds of instances in a session
- GPU-powered graphics acceleration
- Double-click text entry of parameter values
- Supports common Pro Tools hardware control surfaces
- Undo/redo and A/B comparison
- Smart Parameter Interpolation
- Sample-accurate automation of all parameters
- Extensive help file with interactive help hints
- Available in VST, VST3, Audio Units, AAX Native and AudioSuite formats (all both 64-bit and 32-bit)
- Optional Dynamic EQ mode for all bands (Bell and Shelf shapes), using any slope setting and with perfect analog matching, with optional external side chain triggering
- Gorgeous Retina interface with large interactive EQ display, multi-band selection and editing for maximum ease of use and efficiency
- Ultra-steep ‘Brickwall’ slope setting for LP and HP filters
- Filter shapes: Bell, Notch, High/Low Shelf, High/Low Cut, Band Pass, Tilt Shelf, Flat Tilt
- EQ Match feature to automatically match the spectrum of another Pro-Q 3 instance or an external signal
- Built-in spectrum analyzer with Pre-EQ, Post-EQ and external spectrum visualization, adjustable range, speed, resolution, tilt, freeze and collision detection
- External spectrum visualization from any other Pro-Q 3 instance, including collision detection
- Per-band mid/side or left/right processing, so you can EQ the mid, side, left or right signals separately
- Flat Tilt filter shape, a flat tilting correction curve over the whole audible frequency spectrum
- Spectrum Grab: just grab and adjust a peak in the real-time spectrum analyzer right away!
- MIDI Learn with option to control the currently active band
- Full surround support (up to Dolby Atmos 9.1.6) with intelligent speaker selection
MAC
OS X macOS 10.13 or higher (64-bit only)
CPU: Apple Silicon or Intel processor
Plugins: VST-2, VST-3, AU, AAX, OTHER
WINDOWS
Windows 11, 10, 8, 7 or Vista
64-bit or 32-bit
Plugins: VST-2, VST-3, AAX, OTHER
Reviews
There are no reviews yet.